Emmy-nominated director Billy Dickson has written an endless number of family-based, faith-based scripts. Most them, however, have only collected dust. Dickson told Jacob Sahms for ChristianCinema.com, “I had been writing family-based, faith-based scripts but they were collecting dust because people wouldn’t take a look at them. They were too soft; there weren’t enough gun fights.” His new project, Believe, seeks to be the faith-based film that crosses barriers. It has a little bit of everything. And promises to be a new Christmas classic.
The small town of Grundy, Virginia looks forward to one thing every year – the annual Christian pageant provided by the Peyton family. Matthew Peyton (Ryan O’Quinn) has inherited his family’s business, and the responsibility for the Christmas pageant. The family business, however, has fallen on financial hardship, with implications of the same happening to the whole town.
AAA State of Play recently released an infographic that features some wise advice from some of children’s entertainment’s beloved characters. These inspiring quotes provide some solid life lessons. What I found particularly interesting are the quotes about our past. Whether it is Rafiki from The Lion King or Alice from Alice in Wonderland, some these characters understand that while the past may shape us, it is not our present. Sometimes, to quote a certain ice queen, we need to “Let it go.”
The little boy wanders through the forest, alone and scared. Unsure what to do or where to go, he clings to a book about Elliot the dog. It is the only source of comfort he has. There is a wide range of dangers lurking in the darkness. Among them lurks a little magic.
This is how Disney’s new Pete’s Dragon begins. It is gripping, demanding the audience to settle in to their seats and throw a few more pieces of popcorn in their mouths. Before the title appears on the screen, we have been introduced to the main character, a little boy named Pete, and met the mysterious creature in the woods. This magical creature shines compassion, erasing any fears we may have.
In anticipation for their new film, The Good Dinosaur, Disney invites you and your kids to look for Arlo. When you do, there is an exclusive clip from the film, which opens November 25.
Click here to find Arlo.
I wrote the following review of the film “Where Hope Goes” for ScreenFish.net.
Calvin Campbell (Kristoffer Polaha) is a former baseball player who is searching for a new purpose in life. After his formative career ended, a drinking problem began. This added to his struggles as a single father to his teenage daughter, Katie (McKaley Miller). Katie is dating a boy that Calvin knows is no good, but the more Calvin tries to steer Katie in a different direction, the wider the gap between the two becomes. While the character of Calvin is a bit of a cliche, he provides the foundation for what will be a warming tale of hope.
Everything begins to change for Calvin when he meets a young man whom everyone calls Produce.
Pirate’s Code is a sequel to the earlier film Mickey Matson and the Copperhead Treasure. This time Mickey (Derek Brandon) comes face-to-face with the evil Admiral Ironsides (Frank Collison) and his gang of misfit pirates. Their goal? Destroy civilization by removing technology. Their invention, the Tesla Coil, will send out an electromagnetic pulse throughout the world, destroying every electronic device.
Mickey and his best friend Sully (Francesca DeRosa), along with the secret government organization they belong to, set out to stop the pirates from stealing the last needed part for their weapon of mass destruction.
No matter where you stand on the war in Iraq debate, American Sniper is a film worth watching. I was torn when the film was released. Did we need another war film? Did we need a film before we were out of Iraq telling us whether the war was good or bad?
So I waited for the film to come out on DVD and Blu-ray, which happened this week, just in time for Memorial Day weekend.
I was surprised at how good the film was. I know, I know, it was nominated for six Academy Awards, including Best Picture and Best Actor in a Leading Role (Bradley Cooper). (It only won Best Achievement in Sound Editing). American Sniper is not an analytical film about war, instead war is the reality of the narrative. It is the story of a father, a husband, and a service man, Chris Kyle (Cooper).
This week the second official trailer for Star Wars VII was released. In no time, Facebook, Twitter, and the blogosphere were alive with comments and thoughts about what this means for the movie coming out in December 2015.
In case, some how, you missed it, here it is:
Answers to Nothing join films like Crash and Babel in the multiple-stories-that-interlock genre. In this Crash-like (or lite) film, director and co-writer Matthew Leutwyler interweaves various lives in Los Angeles to tell a story of loneliness and brokenness.
Ryan (Dane Cook) is having an affair with rock singer Tara (Aja Volkman), all while trying to have a child with his wife Kate (Elizabeth Mitchell). By day, Ryan is a psychologist who is treating Allegra (Katie Hawk), the only African-American writer for a television show. Allegra meets Evan (Zach Gilford) while walking her dog, and they begin a relationship. Evan is the sound engineer for Tara’s band. In the meantime, Kate is a lawyer whose client Drew (Miranda Bailey) is fighting with her parents for custody of her ex-marathon-running, now-paralyzed brother Eric.
Kate is also friends with Officer Frankie (Julie Benz). Frankie is investigating a missing girl case. Frankie’s daughter is in Carter’s (Mark Kelly) class. Carter is a school teacher who rushes home to get on his computer and play an online fantasy video game. One of Carter’s neighbors is Jerry (Erik Palladino) who ritually gets ready each day by putting his police uniform on and walks his beat around his apartment.
London Boulevard is the directorial debut of William Monahan. Monahan won an Oscar for his script for the film Departed, which would explain the similarities between the two films. The cinematography drapes the London cityscape with blood, grime, and smeared lipstick. At other times it is reminiscent of The Bodyguard—the protector and the protected falling in love.
Mitchel (Colin Farrell) has been in jail for three years for “grievous bodily harm.” His buddy Billy (Ben Chaplin) picks him up and immediately begins coercing him into criminal work. Mitchel tries to explain to him that he is never going back to jail. Billy, however, doesn’t seem to care. He continuously puts Mitchel is awkward situations where he has to defend himself. Eventually, Billy will make it near impossible for Mitchel not to confront Gant (Ray Winstone), the gang boss.