Emmy-nominated director Billy Dickson has written an endless number of family-based, faith-based scripts. Most them, however, have only collected dust. Dickson told Jacob Sahms for ChristianCinema.com, “I had been writing family-based, faith-based scripts but they were collecting dust because people wouldn’t take a look at them. They were too soft; there weren’t enough gun fights.” His new project, Believe, seeks to be the faith-based film that crosses barriers. It has a little bit of everything. And promises to be a new Christmas classic.
The small town of Grundy, Virginia looks forward to one thing every year – the annual Christian pageant provided by the Peyton family. Matthew Peyton (Ryan O’Quinn) has inherited his family’s business, and the responsibility for the Christmas pageant. The family business, however, has fallen on financial hardship, with implications of the same happening to the whole town.
AAA State of Play recently released an infographic that features some wise advice from some of children’s entertainment’s beloved characters. These inspiring quotes provide some solid life lessons. What I found particularly interesting are the quotes about our past. Whether it is Rafiki from The Lion King or Alice from Alice in Wonderland, some these characters understand that while the past may shape us, it is not our present. Sometimes, to quote a certain ice queen, we need to “Let it go.”
The little boy wanders through the forest, alone and scared. Unsure what to do or where to go, he clings to a book about Elliot the dog. It is the only source of comfort he has. There is a wide range of dangers lurking in the darkness. Among them lurks a little magic.
This is how Disney’s new Pete’s Dragon begins. It is gripping, demanding the audience to settle in to their seats and throw a few more pieces of popcorn in their mouths. Before the title appears on the screen, we have been introduced to the main character, a little boy named Pete, and met the mysterious creature in the woods. This magical creature shines compassion, erasing any fears we may have.
No matter where you stand on the war in Iraq debate, American Sniper is a film worth watching. I was torn when the film was released. Did we need another war film? Did we need a film before we were out of Iraq telling us whether the war was good or bad?
So I waited for the film to come out on DVD and Blu-ray, which happened this week, just in time for Memorial Day weekend.
I was surprised at how good the film was. I know, I know, it was nominated for six Academy Awards, including Best Picture and Best Actor in a Leading Role (Bradley Cooper). (It only won Best Achievement in Sound Editing). American Sniper is not an analytical film about war, instead war is the reality of the narrative. It is the story of a father, a husband, and a service man, Chris Kyle (Cooper).
Hart Crane was an early 20th century modernist poet. His poetry was difficult to understand, it was highly stylized, and very ambitious. James Franco, as writer, director, and actor, brings to us the complicated life of the mustachioed gay romantic living mostly in his own head in The Broken Tower. As complicated as Crane’s life and poetry was, so is this biopic based on Paul Mariani’s biography of the same title. Shot in black-and-white video, Franco’s film uses repetitive, stop-and-start-like cuts that are very chaotic and could simply mirror Crane’s life, that of a man who ended his own life by jumping from the steamship SS Orizaba at the age of 32.
Franco tells the narrative of Crane’s life using a chapter-based structure (not unlike a technique used by director Lars von Trier). These chapters are called “Voyages,” which is the title of a series of erotic poems written by Crane. The Voyages help guide the film through Crane’s narrative, moving us from his early years in Cleveland, to the streets of New York, to trips to Paris and Mexico.