Wonder Woman Vol. 1: The Lies collects Wonder Woman: Rebirth #1, Wonder Woman #1, #3, #5, #7, #9, and #11. Written by Greg Rucka with art by Liam Sharp.
Wonder Woman Vol. 2: Year One collects Wonder Woman #2, #4, #6, #8, #10, #12, and #14. Written by Greg Rucka with art by Nicola Scott.
What follows may contain spoilers.
Let me start by saying I no longer read individual comic book editions. I wait for them to come out in graphic novel form. If time permits, I will sit in the book store and read an edition. Otherwise, I’m grateful for digital review copies.
When I first started reading The Lies, I couldn’t help but wonder, “What am I missing?” Nevertheless, I prevailed, despite the feeling that the Rebirth story was not complete.
Then, I picked up Year One, and I began to see what I was missing. As the comics were released, the odd numbered issues were the present day (The Lies) while the even numbered issues were recalling the past (Year One).
“Do not testify falsely against your neighbor.” (Exodus 20:16, Common English Bible)
In an episode titled “Greater Good,” from the first season of the drama-comedy Boston Legal, Alan Shore (James Spader) and Denny Crane (William Shatner) represent a large, drug company in a civil suit. The two lawyers disagree on a key ethical issue surrounding the lies about a clinical trial for a new drug.
The doctor who participated in the clinical trial is conflicted. Shore wants her to be truthful about the potential harm the new drug may have caused its patients. Crane, on the other hand, wants her to be quiet about it. Shore reminds the doctor that when she testifies in court, she will be under oath. Mr. Shore’s intention, of course, is to persuade the doctor to speak truth.
© 2014 The Weinstein Company. All rights reserved.
Margaret Keane, the painter famously known for the big, oversized doe-like eyes of her subjects, is the subject of the new film, Big Eyes. Tim Burton, a Keane collector, directs Amy Adams as Margaret Keane, with the script by Scott Alexander and Larry Karaszewksi (who collaborated with Burton on Ed Wood) tells this real-life story of truth buried under years of lies and deception.
After relocating to San Francisco, Margaret attempts to make a living as an artist. But, in the 1950’s San Francisco, she finds that it is difficult for a divorced, single-mother like herself to get a job, much less make it as an artist. Then, in a moment of serendipity, she meets Walter Keane as portrayed by Christoph Waltz.
The client-of-the-week in this episode is the Democratic congresswoman Josephine Marcus, played by the always brilliant Lisa Kudrow. Last week, we saw her as the President’s biggest critic who got a huge boost in the polls after Mellie was caught on tape saying not-so-great things about the Congresswoman under her breath. Now, she is running for president.