Jason C. Stanley

ponderings of a dad walking humbly & seeking justice

Tag: Christ-like

White Christmas (1954)

It’s the unofficial sequel to Holiday Inn that became a Christmas classic.

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Bing Crosby first sang Irving Berlin’s ballad about the holiday in the film Holiday Inn. The song, more so than the film, was well received. It was no surprise that the studio wanted to market the song as much as they could, so they began plans for a new film featuring this poplar song.  It took almost a decade before the film became a reality. Fred Astaire, who co-starred with Crosby in Holiday Inn, was slated to join the film as Phil Davis. Astaire turned the role down, and it went to Danny Kaye, perhaps a better choice. Continue reading

VeggieTales: Beauty and the Beet (2014)

Beauty-and-the-beet-cover-art“There are some who are hard to love.”

The family musical group The VeggieTones are starting to make it big when they get the invitation to play at Vegtable Square Garden. On the way, the family is forced to pull over due to a fierce snowstorm. They seek shelter at the inn owned by Mr. Beet. However, they have no money. They have to do chores around the hotel, including being the entertainment each evening.

This VeggieTales story is based on the classic Beauty and the Beast story.  Here, the Beet, much like the Beast, has walled himself off from other people – uh, veggies. His staff is timid around him, careful not to anger him. His inn has received poor reviews (only one star) because of his lack of hospitality.

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Hotel Rwanda (2004)

Hotel RwandaRwanda is a tiny country in central Africa. In 1994 millions of people who belonged to the Tutsi tribe were killed by those who belonged to the Hutu tribe in a massive massacre. The film is not a story about the massacre or the genocide. It is, instead, the story of Paul Rusesabagina (Don Cheadle), a hotel manager who risked his own life for 1,200 people by being a good hotel manager. During this genocide, the rest of the world turned its head, looking away, exposing the corporate and systemic sin of so many.

Paul is a quiet man, who is steady in the midst of chaos. He has developed over the years his skills in bribery, flattery, apology, and deception. And these skills come in handy as he cares for a hotel full of strangers.

When the film premiered at Toronto 2004, it was criticized for not being a film about the genocide, an act that in 2004 people were outraged about. Yet, under the direction of Terry George, using the script he co-wrote with Keir Pearson, the film is just right. The film has very potent moments where the reality of genocide moves us. There is the moment when Paul’s wife, a Tutsi, along with other refugees are attacked while in a UN truck. Or the moment when the Hutu army shows up at the hotel’s door demanding the names of all its guests, and Paul is able to distract them long enough to call in a favor. Or the moment when Paul is driving back to the hotel with supplies, and the hotel van drives over bumpy roads. Paul, thinking the driver has gone off the road, makes him stop the van and gets out. The whole road is filled with dead bodies.

The film is Paul’s story about being a hotel manager in midst of genocide, is based on a real story, which is a powerful story of a man who cannot leave behind those who are suffering. Paul, along with his family, are awarded (because that is what it feels like) VISAs to leave the country. As he climbs into the UN truck, he is filled with compassion and in a split second decides to stay at the hotel. And it is a good that he did.

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Everything about Paul is Christ-like. He is compassionate, never thinking twice about taking in refugees. Every action and decision he makes is focused on fulfilling this calling in his life – to care for those whom no one cares for.

Paul: You do not believe you can kill them all?

Colonel: Why not? Why not? We are halfway there already.

The hate seems to be a way of life. It seems so natural. And yet, for Paul, the opposite is true. Love, justice, and compassion is what comes natural. A cameraman, Jack Daglish (Joaquin Phoenix), who is staying at the hotel, meets two young women. One is Hutu and the other is Tutsi. He cannot tell them apart. Neither can Paul. The differences are not a curse, the differences are blessings.

During this season of Lent, let us remember to interrogate our hearts in order to examine how we participate in systemic sin, and strive to be like the hotel manager, welcoming those who are not.

© 2020 Jason C. Stanley

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