How often does the true meaning of Christmas get lost in the excitement of the holiday?
In the VeggieTales Christmas tale Saint Nicholas, the Veggies are experiencing this same tension. The kids are concerned about what they will get and how they will spend their money on themselves. The excitement starts to get a little dim when Laura Carrot’s dad is in danger of losing his job because his truck has broken down . . .again. Larry thinks they should write a letter to Santa Claus asking to fix the problem. Bob, however, knows what will really help the situation. He tells the children (and Larry) the story of boy named Nicholas who made a discovery in Bethlehem that changed him (and us) forever. Read More
On November 26, Netflix will premiere a new Saturday-morning style series of VeggieTales cartoons.
In the original cartoons, Bob the Tomato and Larry the Cucumber would introduce the shorts from the kitchen counter. I never thought about it much, but obviously they lived in a kitchen. VeggieTales in the House lets the veggies explore the rest of the house. It provides a chance for some creative animation. While the animation has gotten an upgrade, and the setting is beyond the kitchen counter, the new show will continue the tradition of storytelling through music and silliness spiritual truths and themes. Read More
Just in time for Thanksgiving, the gang from VeggieTales is here to share jokes, scripture, and cooking tips.
The creators of VeggieTales are gearing up for the release of the brand new VeggieTales in the House, which is premiering November 26 only on Netflix. Thanks to a brand-new, toll-free Holiday Hotline, the VeggieTales can be in your house sharing jokes, singing songs, sharing scripture, and even providing recipe tips anywhere you are.
With the release of the new VeggieTales film, Beauty and the Beet, here are five activity cards that would be great for family time or to use in a preschool or children’s ministry setting.
“There are some who are hard to love.”
The family musical group The VeggieTones are starting to make it big when they get the invitation to play at Vegtable Square Garden. On the way, the family is forced to pull over due to a fierce snowstorm. They seek shelter at the inn owned by Mr. Beet. However, they have no money. They have to do chores around the hotel, including being the entertainment each evening.
This VeggieTales story is based on the classic Beauty and the Beast story. Here, the Beet, much like the Beast, has walled himself off from other people – uh, veggies. His staff is timid around him, careful not to anger him. His inn has received poor reviews (only one star) because of his lack of hospitality.
It is hard to believe that Bob the Tomato and Larry the Cucumber of VeggieTales have been around for more than 20 years!
Telling the story of God’s unconditional love
Next week a brand new VeggieTales DVD will be released, “Beauty and the Beet.” In this new show, a Veggie twist of the classic story Beauty and the Beast, Mirabelle (voiced by country music’ Kellie Pickler) and her family band, the Veggie Tones, are on their way to life-changing, career-promoting gig at Vegetable Square Garden. In the midst of a snowstorm, their car breaks down, and they find themselves singing for their supper for the cranky hotel manager Mr. Beet.
The 12th animated television special, It’s the Easter Beagle, Charlie Brown, first aired on April 9, 1974 on CBS. In this special, Charlie Brown and the gang are preparing for Easter. Peppermint Patty is teaching Marcie how to dye Easter Eggs. Poor Marcie can’t figure how to prepare the eggs to be dyed though. Sally wants new shoes for Easter Sunday. Lucy is preoccupied with getting gifts and hiding eggs.
And, then there is Linus. Linus tells them they are worried too much. None of that stuff matters, because the Easter Beagle is going to bring them Easter eggs. The Easter Beagle is right up there with the Great Pumpkin. The other children try their best to ignore or tolerant Linus’ belief in the Easter Beagle.
Like the Christmas special before it, the Easter special has a message against commercialism. As the children walk into the department store to get their Easter supplies, the store is decorated with Christmas trees and other Christmas items. Banners hang declaring how many days are left before Christmas. Sally cries out, “It’s Easter! And they have Christmas decorations out!?!”
The point is clear. Like Christmas, Easter is not about buying, buying, buying. Easter is about so much more than that. It is about the One who gave life so that we may have new life.
There has been some criticism that this special did have the religious message like its Christmas counter part. If by religious message they are referring to Linus reading from the Bible, than no, there is none of that in this one.
But there are allusions to the Gospel.
In the opening scene as Lucy listens to Schroeder play his toy piano, she talks about Easter being a time of getting gifts. Schroeder corrects her, “It’s a time of renewal,” and later, “All you think about is gimme, gimme, gimme, get, get, get.”
When the kids get to Easter Sunday, they are all sitting around waiting for something special to happen. Peppermint Patty says to Marcie, “You look forward to feeling real happy and something happens to spoil it.” Can you think of better words to describe what those who witnessed the crucifixion must have felt?
Sally is wondering where the Easter Beagle (Christ?) is. Charlie Brown expresses feelings of being alone. Sally tells Linus that he has made a fool out of her. Everyone seems to be sad or confused. Not unlike those who experienced the first Easter morning. But then in the distance a figure emerges. It is the Easter Beagle (of course, it is just Snoopy.) Snoopy dances around giving out Easter eggs that he picked up after Lucy hid them (Lucy: “He gave me my own egg!”).
Ten weeks later, the Easter experience is still hanging around. Lucy is still upset at Snoopy for pretending to be the Easter Beagle and for handing out the eggs that she hid. She goes to Snoopy with the intent of fighting him. Snoopy leans in and kisses her. She responses, “Awww, the Easter Beagle.” Even Lucy came around.
There may not have been any quoting of scripture, but there are things held in common between the first Easter and this Charlie Brown Easter. The feelings of loneliness, of being scared, confused, and uncertain all must have been feelings that the disciples and others experienced. The surprise and awe that followed when Jesus appeared. There were those like Lucy who did not believe until they experienced the grace-filled love of Christ themselves.
Lent reminds us of the tension between looking forward to being happy and the reality of loneliness and despair. The promise of Easter is the gift of resurrection; new life; renewal. In the midst of the darkness of loneliness and despair, joy comes in the morning.
A Charlie Brown Valentine is the first Peanuts cartoon special that was made after the death of creator Charles Schultz. It is also the third time that such a special was made with digital ink and paint, rather than the traditional cel-hand-drawn animation (thank you, Wikipedia.) The change in animation style also refers to the way the characters are presented on screen. They are drawn in a style that is similar to way they appeared in the newspaper comic strip. For example, you may notice the annoying white line around Lucy’s head. That is to make her appear more like she does in the comic strip. But, Schultz didn’t see a need to do it in the original specials, why do it here. It is mostly a distraction, and it was never done again.
The fact that Charles Schultz was not involved in this special is evident. The animation is not nearly as good as older Peanuts specials, and the story-line leaves much to be desired. Even so, it is a Peanuts special, and it attracted over 5 million viewers when it has been aired.
The story focuses on Charlie Brown and his secret love for the little red-haired girl. They are in the same class and despite all the effort on Charlie Brown’s part, he cannot quite find the courage to talk to her. He makes a Valentine for her and hides behind a tree, hoping that she’ll walk by and take it. In the meantime, Peppermint Patty and Marcie are both are trying to get Charlie Brown’s attention, as they are both interested. But Charlie Brown is getting his sleeve caught in the pencil sharper, trying to get the little red-haired girl’s attention.
Charlie Brown’s little sister, Sally, puts all her Valentine attention on Linus. Linus, as usual, rejects that attention and love.
Sally with hands held open: I’ll just stand here until you give me a Valentine.
Linus: Or, you can stand can like for the rest of your life and never get anything.
Linus, as usual, may be on to something. Sally has it wrong, it is not about what we get, it is about what we give. Sally makes a big deal out of the Valentine box in her classroom. I couldn’t help but wonder what would we put in Jesus’ Valentine box? I would hope that we would put ourselves in there. We are the best gift we can give Jesus. The Valentine we can give to Jesus is to show love to others.
At their wall, Linus convinces Charlie Brown that he should invite the little red-haired girl to the Valentine dance. But it doesn’t quite happen, and when Charlie Brown gets enough courage to ask her to dance, she is already dancing with Snoopy.
Charlie Brown is overly love-struck in this special. He makes reference to it himself. He gets so distracted that he cannot focus on his school work or anything else. His mind is solely on the little red-haired girl.
It is a pretty standard 25-minute special. Peanuts watchers will notice that the little red-haired girl in this special looks different than she does in It’s Your First Kiss, Charlie Brown. Here, she looks a little bit like little orphan Annie.
This Peanuts special is the 34th prime-time TV special. It first aired on February 14, 2002 on ABC, the first produced by ABC and was directed by Bill Melendez.
It’s Homecoming at Charlie Brown’s school. He and Linus are on the same Homecoming float, when Charlie Brown notices the little red-headed girl. The little red-headed girl is the Homecoming Queen. Charlie Brown and Linus are two of the guys who have been selected to escort the Queen and her court onto the dance floor.
Linus explains what is expected of Charlie Brown. Tradition states that when Charlie Brown escorts the Homecoming Queen to the dance floor, he then must give her a kiss. At this, Charlie Brown can’t believe it. In fact, he is filled with so much disbelief that he falls off the Homecoming float.
During the Homecoming football game, where Charlie Brown is the team’s kicker, he is totally distracted by the little red-headed girl in the stands. And distracted by the fact that he will have to kiss her. Each time Charlie Brown goes up to kick, Lucy pulls the ball. Even when he has the chance to be the hero and win the game, Lucy pulls the ball away from Charlie Brown. Everyone is disappointed that Charlie Brown lost the game.
But, everyone’s attention now turns to the Homecoming Dance. Charlie Brown is so nervous, he is shaking and turning red. The other boys escort the court to the dance floor, and then it is Charlie Brown’s turn. He slowly walks down the red carpet, takes the little red-headed girl’s arm, and walks her out to the dance floor. Then, he leans in and gives her a kiss.
The next morning, Charlie Brown joins Linus at their wall. Linus recalls how they lost the football game the day before. And even though Charlie Brown didn’t win the game for the team, he was the hero of the dance! Poor Charlie Brown doesn’t remember any of it!
Somehow he found the courage to kiss the little red-headed girl, who in this special we learn is named Heather. Charlie Brown cannot believe that he actually did it! “What good is it to do anything, Linus, if you can’t remember what you did?” Charlie Brown inquires.
Linus just reminds him that it was still a good day because it was his first kiss. The special ends with Charlie Brown smiling in satisfaction. What a great way to end or start a day. Smiling in satisfaction. No matter what we have done, or how much of it we remember, it’s a great way to be. It’s counter to how we usually experience Charlie Brown. He can’t seem to kick that football, but he can drum up the courage to kiss the little red-headed girl.
This Peanuts cartoon is the sixteenth prime-time TV special. It first aired on October 24, 1977 on CBS and was directed by Phil Roman.
There has always been something about Charlie Brown from the Peanuts comic strip that each of us can connect with. He opens his mailbox and it is always empty. He never can kick that football. He never could find the courage to talk to the little red-headed girl.
Poor, Charlie Brown.
And poor us. We all have days when no matter what we try to do, it never quite comes out right. But there are a few things we can learn from Charlie Brown. Even though that mailbox was empty, he keeps looking. Even though he never kicks that football, he keeps trying. And even though he never could find the courage to talk to the little red-headed girl, he keeps planning to.
In 1965 A Charlie Brown Christmas aired for the first time on CBS. It has sense become a Christmas classic. In it Charlie Brown searches for the meaning of Christmas. What he sees around him does not feel like Christmas to him. “Does anybody know the meaning of Christmas?!?” he inquires.
The answer is you do, Charlie Brown. Charlie Brown is sent to choose the Christmas tree for the nativity play. The lot is filled with beautiful, sparkling, artificial trees. He chooses the only “real” tree in the lot, that happens to be the wimpiest, littlest, tree.
There is nothing artificial about Christmas or the meaning of Christmas. Charlie Brown’s decision to choose the tiniest and the weakest of the trees symbolizes how Christ chose each of us, the tiniest and the weakest.
So this Christmas season, go and love as Charlie Brown loved, never giving up and loving on the tiniest and the weakest. Go and love as Jesus has loves you.
*This first appeared as a From the Deacon column at Peakland United Methodist.
On December 9, 1965 an animated Christmas special aired on CBS. Some network executives had already made the commitment to air it, but they only planned to air it that one time. Little did they know that the simple story of Charlie Brown searching for the meaning of Christmas would be the second most watched show that week (second only to the western Bonanza), much less a Christmas tradition.
They only planned to have it air once, but they didn’t think it was very good. It is a miracle that the special ever made it to the air anyway. Producer Lee Mendelson got a phone call explaining that Coco-Cola wanted to sponsor a Christmas special and accepted the offer, even though he didn’t have one. He called Charles Schultz and asked if he could have a story in a week. They pitched the Christmas special and it was accepted. They had six months to make the special, which is usually not enough time. But the team of Schultz, Mendelson, and Bill Melendez made it happen.
There are so many things that make Schultz’ story so brilliant. One is that he insisted on using children as the voices of the . . . . wait for it . . . . .children. Yeah, it was not the normal way to do things. The other is that he was willing to talk about that which no one else was willing to do at the time. In fact, the tension between consumerism and the true meaning of Christmas is still so evident (like the current “War on Christmas?“). Yet, it is possible that we are so consumed by consumerism, that we miss the message that Schultz delivers in this timeless classic. Buy, buy, buy is not the meaning of Christmas.
Charlie Brown is depressed, living in despair, as he does in most of the Peanuts comics. “Something is wrong with me,” he tells his faithful friend Linus at the brick wall. “Christmastime is here, but I don’t feel the way I’m supposed to feel.” The feeling that Charlie Brown thinks he is suppose to feel is that artificial happiness. The kind of happiness that can be bought.
This artificial spirit of Christmas is sweeping through town. When Charlie Brown goes to get advice from Lucy’s 5 cent booth, he drops a nickel into the jar and Lucy picks it up filled with joy. She shakes the jar, listening to the nickel rattle, and exclaims, “I love the sound of cold, hard cash.” As Charlie Brown walks pass Snoopy’s doghouse, he is surprised to find his beagle decorating the dog house. Why? For the chance to win a huge money prize. “My own dog has gone commercial,” Charlie Brown says, “I can’t stand it!”
And he really can’t stand it. Charlie Brown has been given the chance to direct the Christmas play. But he can’t seem to get the other kids to focus on the meaning of Christmas, which is something that Charlie Brown is trying to discern. He knows that there is more to this favored holiday than just money! He is just not sure how to articulate it.
He is sent to get a Christmas tree for the play. This, the kids reason, will fix everything. Charlie Brown and Linus are told to get a nice, big, shiny, aluminum Christmas tree. We all know what happens, Charlie Brown chooses the wimpiest, littlest, tree in the whole lot. But it’s a real tree. It’s not artificial. It’s not a fake. It’s not a tree in disguise. It’s the real deal.
When Charlie Brown returns with the tree, he is laughed at and called names. It causes him to cry out, “Is there anyone who knows what Christmas is about?” And Linus, very humbly, steps up on the stage and quotes Luke 2:8-14 from the Kings James Bible.
This was another risky move by Schultz. Not all of his team thought it was a good idea to use the Bible on primetime television. They were certain that it would not go over well with audiences. Schultz’ wife recalls him thinking that scripture is not just for the church, but for everyone. And it was fitting that Linus, the little philosopher that he is, be the one who recites the scripture. In doing so Linus becomes a little theologian as well. In reciting the birth narrative from Luke’s gospel, Linus makes the connection between the message of the Gospel and Charlie Brown’s actions – a message that is not just for the church.
There is nothing artificial about Christmas or the meaning of Christmas. Charlie Brown’s choice to choose the tiniest and the weakest of the trees symbolizes how Christ chose each of us, the tiniest and the weakest. Instead of being concerned with money and buying extravagant gifts, we should follow Charlie Brown’s lead and care for the tiniest, loneliest, and weakest.